Tuesday, November 16, 2010

London Lights

8. November 2010


Our tour guide told us that 11-16 million people are in London on any given day. I never thought that such a big and bustling city could still have a certain charm, or that I would like it so well. After a 14-hour bus ride complete with a ferry trip from Calais to Dover, we arrived in London. I was still really tired, but 48 hours is not such a long time, and there was no way I was wasting more time sleeping than I had to.

The group set right out to sightsee, and I can’t believe how much we did manage in the time we were there: Trafalgar Square, Westminster/the changing of the guard, St. Paul’s, the Globe Theatre… One of our events was a presentation in the Globe, and it was all about what plays and attending a play was like in Shakespeare’s time. Id’ studied a lot of it in my English classses before, but the actor who led our presentation was super cynical, and it was interesting to watching how the students reacted to the information and his attitude.

I also visited three museums: The British Tate, The Tate Modern and the National Gallery. Many of the museums in London are free, which was really convenient because it allowed me to at least take a look inside, even if I didn’t have a lot of time. The British Tate has a lot of Turner and Pre-Raphaelite art, which I enjoy, but they’re currently redoing some of their exhibits, so some of the works I most wanted to see weren’t on display. (Excuse to go back?)

At the Tate Modern there was a piece, “The Unilever Series” by Ai Weiwei, in the large exhibition hall made up entirely of millions of hand-painted porcelain sunflower seeds. When it first opened, you were allowed to walk on/play in the seeds, but they stopped letting people because too much porcelain dust was getting tracked around the museum. It’s really a shame that you can’t do it anymore because I think the interactive nature of the exhibit and being able to turn the visible enormity of the work into a more tangible (literally) enormity would add an element of relatable empathy to the artists’ meaning for the piece. The main exhibition at the Tate Modern was also grand. I love the movement of Braque and Picasso’s works as they pushed artistic boundaries towards abstraction. There is something so poetic and oddly musical about the way some pieces of the subject are visibly discernible and how the subjects of the painting, when juxtaposed, create a visually stimulating, unsolvable, yet somehow coherent puzzle. And I saw works by Rineke Dijkstra live. I find that her photos really capture the subjects’ essences. They are stripped bare (sometimes literally), raw and in your face. I like art that brings true emotion (the way I see it anyways) right up to the surface, so that it’s undeniable and unavoidable. In short: Tate Modern is definitely worth a visit.

My favorite place, possibly of the whole trip, was the National Gallery. It’s ginormous, and there is some well-known work of art hanging almost everywhere you look. As I entered the gallery through the high-arching doorway, my pulse began to race, and I felt vaguely dizzy. So much art…so little time. I think I wandered around with my eyes glazed over in a state of catatonic art shock for about five minutes before I was able to pull myself together. I managed to view most of the art from the 1800s as well as the Impressionist collection. I also made a brief foray into the medieval art to view the “Arnolfini Wedding Portrait”! I hate “fame jumping” in galleries, but sometimes it can’t be helped.

Very impressive. Seeing all these works that I’ve studied over the past four years lends a whole new dimension to the lectures I’ve attended. Sure I’ve seen the slides, but there’s just no way to emulate the barely-visible, yet illuminating brush-stroked details and their heart-stopping delicacy, which unite themselves into a coherent, monumental piece of work. Mmmm, it makes me a little giddy just thinking about it. Someday I hope I will be able to help others see art in a way that moves them this tremendously.

I also met with two long-time friends – one from high school, who I’ve known forever, and one from Britain, who was one of my closest friends in middle school. We always said we’d see each other when I came to England one day, but I never thought it might actually happen. Both nights involved good food (I have yet to be disappointed by a restaurant in Europe), great company and strolling past the fantastic London lights. So far European cities are taking the cake for nighttime brilliance.

Sunday morning I suggested an early-morning walk in Hyde Park before we had to board the bus to head back to Germany. Since I was going out at 6 A.M., I was surprised when not only the teacher I was with joined me, but also two of the students on the trip. It was dark when we set out, and seeing the sky lighten as we strolled through the park was sublime. It was slightly nippy – you know, that funny not-quite-cold temperature, where your breath nearly freezes in the air before you? – but perfect. To top the morning off, I spent the whole ferry ride, rain and all, watching the white cliffs of Dover evaporate into the mist and the green countryside of Calais emerge across the channel. One of the students, Mark, also braved the rain outside with me, and we agreed it was the perfect ending to the England portion of our trip

The bus ride to Bremen took all day, but it felt faster. I finally finished Les Miserables, and I made significant progress on my knitting project. The students spent a lot of the trip playing add-a-line story games together. They all came from different cities in the state of Saxony-Anhalt, and seeing how well they got on and laughed together made me smile. It’s really heartening to see that even in our technologically driven age, some young people are still able to use simply things like words, laughter and good company to pass the time.

We arrived in Bremen too late that night to see anything, but four of us – Mark, Lexi, Jean and I – agreed to stay a little longer the next morning. Mark had visited Bremen before, so he showed us some of the Old Town and Downtown areas. The central part of the city is very historic; it’s nice to look at, and I’m certain I’d like to learn something else about the town besides the Bremen Town Musicians connection. We did see the Bremen stacked animal statue, though.

The train ride home was rather eventful. Jean and I got to hang out with Mark and Lexi longer than we expected. The four of us took the same train. Mark and Lexi were supposed to switch trains in Hannover, while Jean and I were to ride the whole way to Magdeburg, where she lives, and I would switch trains. We said goodbye to Mark and Lexi in Hannover, but ten minutes later, we were greeted by peals of laughter. They had failed to notice that the train they needed to take from Hannover was the one we were already on. Just wait, it gets better. By the time we got to their real stop, the train was running about ten minutes late. Mark and Lexi took their sweet time getting off the train, which shouldn’t have been a problem because we were scheduled to stop for several minutes. Well, because of the delay, the train didn’t stop for as long as it should’ve and Mark and Lexi were stuck on the train! Secretly, this is something I’ve always worried about having happen to me, so I was sympathetic, but it was also kind of funny (sorry, Mark!) The whole train car knew this was the second time they’d come back, too. Oops. Now watch something like that happen to me next time now. I’ve probably gone and jinxed myself.

Our little group REALLY said goodbye in Magdeburg, which was sad because the trip was so unreal that actually realizing I was headed home was a harsh jolt back to reality. We want to meet again, though, so hopefully this won’t be the last time I’ll relate you stores about the adventures of the fantastic four. I’m sure they’ll be interesting.

Deine,
N*

P.S.  Remember me telling you about "Janchen"?...He was on this trip too...that story still makes me laugh.

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